![]() Now that ProTools for Mac includes VCA Masters, Disk Cache, extended metering, and other advanced features, you can mix smarter and faster than ever. What you need is a workstation that can keep up with your creativity. Own the tool and get more power, more tracks, and more plug-ins for 1/3 less-now just $599! Or subscribe for less than $25/month. Why do the world’s top artists, producers, and mixers use the app? Because nothing helps you compose, record, edit, and mix great sounding music and soundtracks faster and easier. Get Track Freeze, Commit, and Bounce, now in Pro Tools for Mac. Quickly free up processing power on demand and share tracks with speed and ease. Create, connect, and collaborate with talent around the world. ![]() Expand your creative possibilities-and work opportunities-with Avid Cloud Collaboration for the app, now available. ![]() As if you’re all together in the same studio. Composing, recording, editing and mixing audio with Pro Tools for macOS!Įasily share tracks and work on projects with anyone-anywhere. Featuring dramatic DSP power, sweeping sample rate support, brand new high-resolution audio interfaces and peripheral options, abundant track count and I/O capacity, extensive routing flexibility and much more, Pro Tools|HD gives you control over your audio world like never before. This high-definition system embodies the latest Digidesign innovations, incorporating cutting-edge technology to deliver unprecedented sonic fidelity and price/performance. Still being a version 7/8 user, I'm stuck to my Mbox2 interface, but now with this version, you should be able to use any one, which is a huge revolution.Pro Tools for Mac offers audio professionals superb quality and efficiency through one intuitive, integrated production environment. The only boring thing I see, at my level, is the iLok key: luckily, some plugin developper are getting rid of it, and you can also make a good job with the provided plugins (which was not the case a few years ago). ![]() I won't make a complete review, I'm a faitfhful user (think: the first version I've used was 4.3, if I recall well and it fitted on a floppy!!!), so it's hard to say something bad about ProTools as it has got better and better through the years. The first time I've heard about version ten was because of the new Souncloud feature, which is probably the most stupid and useless idea they ever had.Įxcept for that, it's a must have (I won't compare it to Logic, Cubase or else, it basically depends on your habits, but I'm keen to think that for audio editing, nobody beats ProTools.Īpparently, someone at Avid has just recalled Digidesign once created a page here. ![]()
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